%% Generated by lilypond-book.py %% Options: [exampleindent=10.16\mm,indent=0\mm,line-width=160\mm] \include "lilypond-book-preamble.ly" % **************************************************************** % Start cut-&-pastable-section % **************************************************************** \paper { indent = 0\mm line-width = 160\mm % offset the left padding, also add 1mm as lilypond creates cropped % images with a little space on the right line-width = #(- line-width (* mm 3.000000) (* mm 1)) } \layout { } % **************************************************************** % ly snippet: % **************************************************************** \sourcefilename "transcription-of-ancient-music-with-incipit.ly" \sourcefileline 0 %% DO NOT EDIT this file manually; it is automatically %% generated from LSR http://lsr.dsi.unimi.it %% Make any changes in LSR itself, or in Documentation/snippets/new/ , %% and then run scripts/auxiliar/makelsr.py %% %% This file is in the public domain. \version "2.16.0" \header { %% Translation of GIT committish: 26a079ca2393d053315ef8dbef626c897dc9645a texidoces = " A modo de alternativa para obtener auténticos «incipit» independientes de la partitura principal, se incluyen como elemento de marcado en el campo que se usa normalmente para el nombre del instrumento. Por el momento, la letra sólo se puede añadir como marcado directo. Por desgracia, su espaciado no es análogo al de la letra principal. " doctitlees = "Transcripción de música antigua con incipit" %% Translation of GIT committish: e99967817ff985eb5bd5b0220b2fbf552963f9de texidocfr = " Voici une méthode alternative pour ajouter un @emph{incipit} indépendamment de la partition principale. Pour ce faire, il est inclus sous forme de @emph{markup} dans le champ dévolu au nom d'instrument. Les paroles ne peuvent, à ce jour, être ajoutées que sous forme d'annotation directe, ce qui donne un espacement des paroles loin d'égaler celui de la partition réelle. " doctitlefr = "Transcription de musique ancienne avec incipit" lsrtags = "ancient-notation, specific-notation, tweaks-and-overrides, workaround" texidoc = " As a workaround to get real incipits which are independent from the main score these are included as a markup into the field normally used for the instrument name. As for now lyrics can only be added as a direct markup. It doesn't unfortunately conform with the spacing of the main lyrics. " doctitle = "Transcription of Ancient music with incipit" } % begin verbatim global = { \set Score.skipBars = ##t \key g \major \time 4/4 %make the staff lines invisible on staves \override Staff.BarLine #'transparent = ##t \skip 1*8 % the actual music % let finis bar go through all staves \override Staff.BarLine #'transparent = ##f % finis bar \bar "|." } discantusNotes = { \transpose c' c'' { \clef treble d'2. d'4 | b e' d'2 | c'4 e'4.( d'8 c' b | a4) b a2 | b4.( c'8 d'4) c'4 | \once \override NoteHead #'transparent = ##t c'1 | b\breve | } } discantusLyrics = \lyricmode { Ju -- bi -- | la -- te De -- | o, om -- nis ter -- | ra, __ om- | "..." | -us. | } altusNotes = { \transpose c' c'' { \clef treble r2 g2. e4 fis g | % two bars a2 g4 e | fis g4.( fis16 e fis4) | g1 | \once \override NoteHead #'transparent = ##t g1 | g\breve | } } altusLyrics = \lyricmode { Ju -- bi -- la -- te | % two bars De -- o, om -- | nis ter -- ra, | "..." | -us. | } tenorNotes = { \transpose c' c' { \clef "treble_8" R1 | R1 | R1 | r2 d'2. d'4 b e' | % two bars \once \override NoteHead #'transparent = ##t e'1 | d'\breve | } } tenorLyrics = \lyricmode { Ju -- bi -- la -- te | % two bars "..." | -us. } bassusNotes = { \transpose c' c' { \clef bass R1 | R1 | R1 | R1 | g2. e4 | \once \override NoteHead #'transparent = ##t e1 | g\breve | } } bassusLyrics = \lyricmode { Ju -- bi- | "..." | -us. } incipitDiscantus = \markup { \score { { \set Staff.instrumentName = #"Discantus " \override NoteHead #'style = #'neomensural \override Rest #'style = #'neomensural \override Staff.TimeSignature #'style = #'neomensural \cadenzaOn \clef "neomensural-c1" \key f \major \time 2/2 c''1._"IV-" s2 %two bars \skip 1*8 % eight bars } \layout { \context { \Voice \remove "Ligature_bracket_engraver" \consists "Mensural_ligature_engraver" } line-width = 4.5\cm } } } incipitAltus = \markup { \score { { \set Staff.instrumentName = #"Altus " \override NoteHead #'style = #'neomensural \override Rest #'style = #'neomensural \override Staff.TimeSignature #'style = #'neomensural \cadenzaOn \clef "neomensural-c3" \key f \major \time 2/2 r1 % one bar f'1._"IV-" s2 % two bars \skip 1*7 % seven bars } \layout { \context { \Voice \remove "Ligature_bracket_engraver" \consists "Mensural_ligature_engraver" } line-width = 4.5\cm } } } incipitTenor = \markup { \score { { \set Staff.instrumentName = #"Tenor " \override NoteHead #'style = #'neomensural \override Rest #'style = #'neomensural \override Staff.TimeSignature #'style = #'neomensural \cadenzaOn \clef "neomensural-c4" \key f \major \time 2/2 r\longa % four bars r\breve % two bars r1 % one bar c'1._"IV-" s2 % two bars \skip 1 % one bar } \layout { \context { \Voice \remove "Ligature_bracket_engraver" \consists "Mensural_ligature_engraver" } line-width = 4.5\cm } } } incipitBassus = \markup { \score { { \set Staff.instrumentName = #"Bassus " \override NoteHead #'style = #'neomensural \override Rest #'style = #'neomensural \override Staff.TimeSignature #'style = #'neomensural \cadenzaOn \clef "bass" \key f \major \time 2/2 % incipit r\maxima % eight bars f1._"IV-" s2 % two bars } \layout { \context { \Voice \remove "Ligature_bracket_engraver" \consists "Mensural_ligature_engraver" } line-width = 4.5\cm } } } %StaffGroup is used instead of ChoirStaff to get bar lines between systems \score { << \new StaffGroup = choirStaff << \new Voice = "discantusNotes" << \global \set Staff.instrumentName = \incipitDiscantus \discantusNotes >> \new Lyrics = "discantusLyrics" \lyricsto discantusNotes { \discantusLyrics } \new Voice = "altusNotes" << \global \set Staff.instrumentName = \incipitAltus \altusNotes >> \new Lyrics = "altusLyrics" \lyricsto altusNotes { \altusLyrics } \new Voice = "tenorNotes" << \global \set Staff.instrumentName = \incipitTenor \tenorNotes >> \new Lyrics = "tenorLyrics" \lyricsto tenorNotes { \tenorLyrics } \new Voice = "bassusNotes" << \global \set Staff.instrumentName = \incipitBassus \bassusNotes >> >> \new Lyrics = "bassusLyrics" \lyricsto bassusNotes { \bassusLyrics } %Keep the bass lyrics outside of the staff group to avoid bar lines %between the lyrics. >> \layout { \context { \Score % no bars in staves \override BarLine #'transparent = ##t } % the next three instructions keep the lyrics between the bar lines \context { \Lyrics \consists "Bar_engraver" \override BarLine #'transparent = ##t } \context { \StaffGroup \consists "Separating_line_group_engraver" } \context { \Voice % no slurs \override Slur #'transparent = ##t % Comment in the below "\remove" command to allow line % breaking also at those barlines where a note overlaps % into the next bar. The command is commented out in this % short example score, but especially for large scores, you % will typically yield better line breaking and thus improve % overall spacing if you comment in the following command. %\remove "Forbid_line_break_engraver" } indent = 5\cm } } % **************************************************************** % end ly snippet % ****************************************************************